![]() Must have a commitment to fostering a workplace culture of Equity and Inclusion. The successful candidate will embrace the museum’s dedication to creating a space where visitors feel welcome, psychologically safe, curious, and inspired. The position will actively participate in the assessment of the Frick’s interpretive strategies and exhibitions program, a core component of the museum’s strategic plan and equity commitments. Collaborating closely across departments-including Learning, Marketing, Advancement, Operations, and Safety), the Assistant/Associate Curator will be a key contributor to exhibition planning, collection development, conservation and preservation initiatives, and creative programming that informs, engages, and expands audiences. Under the direction of the Chief Curator & Director of Collections, they/she/he will support the interpretation, presentation, and care of the collections at The Frick Art Museum and Clayton, the historic home of Henry Clay Frick, with occasional support to the Car & Carriage Museum. The Frick Pittsburgh seeks a creative thinker and collaborator to join the dynamic four-person curatorial team. This position will interface between the external teams, campus & community stakeholders, and town officials including working closely with the current Director of the Museum and her staff, and chairing the building committees, and developing board presentations for progress updates and necessary approvals.įor a full job description and to apply, click here. As the Museum Project Director, you will act as the main point of contact for the new build, providing oversight of the Owner’s Project Manager, Skanska the Architect, SO-IL and the various construction teams throughout the WCMA building project. This is a full-time term position for the duration of the project, with an initial three year term and a plan for extension once the project timeline is finalized. ![]() It’s the next step in Williams’ commitment to the vibrancy, relevance, and educational importance of the arts. The new museum’s educational and exhibition spaces will open up new possibilities for our work with campus and community. Each year, faculty, students, and museum staff incorporate our collections into dozens of courses, ranging from art history to anthropology, biology, environmental studies, and mathematics, while our curators mount exhibitions that engage campus and diverse public audiences. The new museum grows out of Williams’ commitment to the arts-a commitment that has defined us for over a century. An enlarged version made in 1999 is displayed at Jonesboro, Arkansas.Williams College is looking for a Museum Project Director to oversee a major upcoming investment in the design and construction of a new home for our Williams College Museum of Art (WCMA). Bush, along with another Remington bronze The Bronco Buster. An example was sold by Christie's in 2009 for US$134,500, and another in 2011 for US$92,500Ī cast was displayed in the Oval Office by US Presidents Ronald Reagan and George H. An example is held by the Metropolitan Museum of Art which measures 58.7 by 45.1 by 36.8 centimetres (23.1 in × 17.8 in × 14.5 in), bequeathed by Jacob Ruppert in 1939. Around 100 authorised casts were made of the new version before 1921, but many unauthorised posthumous casts were made later by the Roman Bronze Works. The changes added about 4 inches (100 mm) to its height. The revisions increased the tension of its pose by changing the position of the horse's legs, tucking in its forelegs and straightening the rear legs, and also increased the fluid curvature of the piece by moving the rider's stance further forward. Over a period of ten days, Remington reworked the plaster model. Eleven bronzes had been cast from this first model, 20.5 inches (520 mm) high, by 1908, when Remington became dissatisfied with the original design. Remington completed a plaster model in January 1905, which was cast in bronze by the Roman Bronze Works using the lost wax process. The rider, with moustache and woolly chaps, leans forward, gripping the horse's mane with one hand and holding on to his hat with the other. The work depicts a cowboy riding a horse that is rearing up in fright, twisting away from a rattlesnake on the base. ![]() ![]() The bronze sculpture was one of Remington's most popular, after The Broncho Buster, and it has been described as Remington's own favorite sculpture. The Rattlesnake is an equestrian sculpture by American artist Frederic Remington. The Rattlesnake, Metropolitan Museum of Art ![]()
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